In 2016 I took some lessons, and did some other stuff too. This is the best shit. Seriously, the best shit. Continue reading
As some of you know, BTB ‘s humble beginnings were as a forum to get some ideas about playing out on paper, during, and after, a self-prescribed embouchure change.
I recently received questions about said embouchure change, and decided to write a deeply personal and moving account of the general process, why I chose specific directions in my playing, and what I currently commit to. Continue reading
Hey everybody – Just launched a new “FreeTB” course on learning to better control the aperture. This is a topic that’s gathered a lot of interest and has really helped to level-up my playing game. I think you’ll find a lot in the series if that’s what you’re into.
Here’s a screenshot of one of the videos.
The nine-part series dives head-first into the following aspects of aperture control: Continue reading
Still waiting for that “light bulb” moment when it comes to understanding and incorporating the jazz language into your own playing? Here’s a super-easy, super-fun method for doing just that (straight from the teachings of one of the greatest improvisers ever). Enjoy!
Where are we next? – CLICK HERE!
Here’s a fabulous interview by Michael Davis feat. the great NYC lead trumpet player Nick Marchione. Nick’s work with the Vanguard Jazz Orchestra has been largely influential to me, and this interview covers a lot of great information including his work with and how he became the lead trumpet player for the Vanguard band, how to develop a great musical concept, his top five influences as a lead trumpet player (the list might surprise you), what he looks for in a section player, a hilarious anecdote about his experiences as a young working player, and his views on the differences between New York and Los Angeles (I completely agree with his observations on time).
Check it out, it’s very hip….bone……..music.
Why does playing music come so easily to some, while others struggle to make positive changes to their playing?
Is it really that some just “have it,” while others (most) don’t?
The point of this article is to suggest that we are all capable of playing music on a masterful, inspired level, and that those people who seem to make effortless progress throughout their musical lives simply know how to stay out of their own way. Continue reading